Unwitting Collusion / 2010
2010 shifted this theme into a new medium, bronze casting. This series of works alluded to city-dweller ambivalence towards the plight of local birds, using the metaphor of keeping pet cats. Cats, despite being well-fed, will still savage accessible birds given half a chance.
The painted sections of the bases represent the synthetic, constructed, human environment, the ‘inside’, to nature’s ‘outside’. The bare steel sections allude to the changing, shifting world of ‘out there’, in which unknown cycles, interplays, and conversations are going on. The rectangular bases are a neutral combining of the two worlds, with reference to reality made through the planar, horizontal qualities. The framed environments allow for readings about the passing of time and specific actions.
Vivamus pellentesque vitae neque at vestibulum. Donec efficitur mollis dui vel pharetra.
Praesent id libero id metus varius consectetur ac eget diam. Nulla felis nunc, consequat laoreet lacus id.
Donec id justo non metus auctor commodo ut quis enim. Mauris fringilla dolor vel condimentum imperdiet.
Commodo cursus magna, vel scelerisque nisl consectetur et. Donec id elit non mi porta gravida at eget metus.
Lorem ipsum dolor sit amet, consectetur adipiscing elit. Vestibulum id ligula porta felis euismod semper.
Quisque iaculis facilisis lacinia. Mauris euismod pellentesque tellus sit amet mollis.
Sed purus sem, scelerisque ac rhoncus eget, porttitor nec odio. Lorem ipsum dolor sit amet.
Vivamus pellentesque vitae neque at vestibulum. Donec efficitur mollis dui vel pharetra.
Praesent id libero id metus varius consectetur ac eget diam. Nulla felis nunc, consequat laoreet lacus id.
Donec id justo non metus auctor commodo ut quis enim. Mauris fringilla dolor vel condimentum imperdiet.